Ezra
Slim architectural frame. The intellectual cousin of the Vivaldi.
Hover · See it wornA slim oval in poured Mazzucchelli — Soletti's quietest frame, and the one I would wear daily.
The Ezra is the optician's frame in the house: unadorned, optical-ready, the kind a woman wears for a decade without noticing.
51-20-140. No gold rivet, no core wire, no signature. Just the acetate and the hinge — and that is exactly the point.
Italian Mazzucchelli 1849 acetate.
Cut from the same cellulose-acetate blocks Mazzucchelli has poured since 1849. Every Soletti frame is sliced and shaped by hand, then tumbled for seventy-two hours. The polish is what acetate does when it is left alone long enough.
Founder
The frame that does not announce itself.
The Ezra is the smallest oval in the house. I drew it for the woman who buys two pairs of glasses and wears the same one for ten years. Slim acetate, fifty-one at the lens, the kind of frame that disappears behind a chignon and reads as the face, not the eyewear.
The polish is the same Mazzucchelli polish that runs through every Soletti frame — cellulose-acetate poured in Castiglione Olona, tumbled for seventy-two hours, hand-polished. The Ezra is the simplest expression of the material. Nothing decorative, no rivets, no gold core. Just the acetate, the hinge, and the optician-grade lens.
It does not belong to a single pairing. It belongs to whichever watch is already on the wrist. The Ezra is the frame a woman who already owns a vault of objects allows herself the way she allows herself a glass of water.
Build the Kit.
Add a case, a cloth, or both to your Soletti Ezra. Bundle two pieces and we’ll knock 5% off; three or more, 10%. Single shipment, single signature.
- 1 item—
- 2 items5% off
- 3+ items10% off
Around the frame.
Add-on
